How to Rehearse When There Is No Rehearsal: Acting and the Media (Limelight)
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Nobody rehearses anymore. You get the sides the night before, you show up, and the camera rolls on take one. Alice Spivak wrote this book for exactly that world. Forty years acting, coaching, and teaching — fifteen of them at Herbert Berghof and Uta Hagen's HB Studio in New York — and what came out of it is a step-by-step method for building a real character in the sliver of time the job actually gives you. Auditions. Camera takes. Reading and following stage directions. Theater, film, soaps, sitcoms, commercials, nighttime drama. All the rooms where there is no second pass. She isn't theorizing from a desk. Her own credits run through Law & Order and Sex and the City, plus films with Woody Allen and Sidney Lumet, and she has coached on Broadway shows, miniseries, and features. Frank Oz credits her classes with making him better as a director. Ruby Dee put it plainly: "Essential to good performance is rehearsal time." If you act, direct, or teach anyone who does, this is the practical one — the copy that ends up underlined, not shelved. Condition: clean black-gloss trade paperback. Cover art bright and unfaded, no tears, no writing on either cover, corners square with only light handling wear along the edges. Ships within 2 business days, or free pickup in Gorham.
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How to Rehearse When There Is No Rehearsal: Acting and the Media (Limelight)
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